Looking back on his first term.
A studio apartment in San Francisco now costs $1,700 per month. Hence the madness.
What to do when your friends become rock 'n' roll stars? Go along for the ride.
Thursday
August 20
Legendary dancer/choreographer George Balanchine once said, "All leading dancers want to dance Swan Lake at least once in their careers, and all audiences want to see them dance it." And audiences will want to see leading ballerina Lauren Anderson, native Houstonian and one of Houston Ballet's most popular performers, in her critically acclaimed interpretation of the lead role of Odette/Odile in their production of the 120-year-old Swan Lake. An undisputed classic of the form, Swan Lake has been presented by every major dance company since its 1877 debut at the Bolshoi. The tremendously moving love story, with its immortal Tchaikovsky score, has become a flagship work for Houston Ballet; they've toured it to rave reviews all over the world. Tonight kicks off three days of free performances of Swan Lake at Miller Outdoor Theatre, 100 Concert Drive in Hermann Park, 284-8350. 8 p.m. Thursday, Friday and Saturday. With Lauren Anderson as Odette/Odile tonight only. Info: 284-8352. (Liz Belile)
Saturday
August 22
Somewhere between Kenneth Anger's Scorpio Rising (that experimental film standard-bearer), Quentin Tarantino's trendsetting Pulp Fiction and Art Clokey's creepy Christian-themed claymation series, Davey and Goliath, lies a new consciousness in visual expression in film. And part of that consciousness, believe it or not, still bubbles beneath the surface in Southern California, despite the brain drain of Hollywood. Or, perhaps in response to it. Tonight's program of "Four California Filmmakers," curated by LAX gallerist/artist/culture-mogul Mark Allen, showcases "a broad survey of current directions in film/video on the West Coast" at the Aurora Picture Show. Featuring work by Adam Goldman, Bjoern Melhus, Jocelyn Shipley (whose "X-rated claymation" sounds most promising) and Jenny Stark.
And speaking of LAX Gallery, now's your last chance to experience the also-imported SoCal (mostly) visual sensibility of John Williams: "May I Help You?" This multimedia mini-carnival of stuttering interactive objects and art captures a certain grungy, post-Mike Kelley kitsch/shopping mall pathos. (See the review in last week's Press.) Imagine that your intelligent yet evil kid brother has broken into your room, melted toys atop selected discs from your Tavares vinyl collection, set up his sadistic tapping monkey-puppet video to drive you nuts, then split the scene. You'll want to pound his little face into the floor and then ... you'll relax, you'll laugh and you'll remember: It's not a childhood flashback, it's only art. LAX hours are noon to 5 p.m.; 4910 Main. Info: (281) 221-6666. Free. "Four California Filmmakers" starts at 9 p.m. Aurora Picture Show Microcinema, 800 Aurora. Info: 868-2101; www. wt.net/~grover. No admission charged, but donations are accepted. (Liz Belile)
Sunday
August 23
As our nights are finally cooling down (below three digits, at least), there's no better place to be in Houston than outside and under the stars, except, of course, listening to music, outside and under the stars. And nothing is more haunting than the wistful strains of the rondador -- a sort of pan pipe -- a.k.a. the national instrument of Ecuador, and a trademark sound in Andean music. The Society for the Performing Arts presents the international authentic Andean music group Wayanay Inka at the Miller Outdoor Theatre, as part of the Ninth Annual Festival de la Hispanidad. Covered seating tickets are available free the day of the concert. 8:30 p.m. at the Miller Outdoor Theatre; 227-ARTS, (800) 828-ARTS. (Liz Belile)
Monday
August 24
The Houston Museum of Natural Science presents "Ansel Adams, a Legacy." Late photographer Adams was unparalleled in the art of the landscape; his luminous silver-gelatin shots of the American West shimmer with timeless inner light. This exhibit draws together more than 100 images from the artist's decorated career; most are "dramatic enlargements" of classic works that Adams made in his own darkroom from the 1960s until his death in '84. Through August 29. Hours: Mon. through Sat. 9 a.m. to 6 p.m.; Sun. 11 a.m. to 6 p.m. 1 Hermann Circle Dr., Hermann Park, 639-IMAX. $4; $2 for children ages three to 11; free for those younger. (Clay McNear)