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City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
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Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Various Artists: The Great Debaters: Music From & Recorded for the Motion Picture
Published on February 07, 2008
Rare is the soundtrack that goes to the effort of soliciting original recordings, and rarer still is one that puts considerable thought into those recordings' direction. For The Great Debaters, a film about the 1935 debate team at Wiley College (a tiny African-American school in Marshall), director/star Denzel Washington and music supervisor G. Marq Roswell went well beyond the extra mile. Not only did the two round up a stunning collection of the era's best blues and spirituals, they employed excellent modern talents to perform them: Sharon Jones, the only neo-soul singer with a voice like a vintage soul singer; guitarist Alvin Youngblood Hart, whose contemporary take on Delta blues is raw, authentic and mercilessly de-romanticized; and the Carolina Chocolate Drops, with standout front-porch banjo and fiddle. All three are the perfect vehicles for these classic songs, and Memphis's Ardent Studios proved the perfect recording environment for the spacious-sounding session work. The resulting takes on numbers like "I've Got Blood in My Eyes for You," "Nobody's Fault But Mine," "City of Refuge" and "We Shall Not Be Moved" (featuring chill-inducing choir work) are soulful, and deeply evocative of The Great Debaters' time and place. Better still, they're also a showcase for some of the most potent contemporary musicians around.